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DTSTART;TZID=Europe/London:20261019T133000
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DTSTAMP:20261019T122914Z
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UID:10007036-1792416600-1794715200@www.nicensleazy.com
SUMMARY:2 FLOOR TAKEOVER - CORE FEST
DESCRIPTION:A CELEBRATION OF NOISE
URL:https://www.nicensleazy.com/event/2-floor-takeover-core-fest
CATEGORIES:Bar,Basement,Club,Gig
ATTACH;FMTTYPE=image/webp:https://www.nicensleazy.com/wp-content/uploads/2026/10/2026AUGUSTANNOUNCE54.webp
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DTSTART;TZID=Europe/London:20261108T190000
DTEND;TZID=Europe/London:20261108T230000
DTSTAMP:20261019T115958Z
CREATED:20261019T115958Z
LAST-MODIFIED:20261019T115958Z
UID:10007029-1794164400-1794178800@www.nicensleazy.com
SUMMARY:BASEMENT GIG - BIG|BRAVE
DESCRIPTION:The work of BIG|BRAVE is ever-expanding.  The breadth of their sound has encompassed a  breathtaking array of dynamics and sonics. Their  sound\, guided by their indomitable exploratory spirit\,  exploits contrasts between extremity and subtlety.  The trio’s singular\, masterful sculpting of sonics into  songcraft tucks layers of vulnerability into formidable  storms. in grief or in hope is an innovative vision  of electro-acoustic sound and emotive storytelling\,  an endless bounty of overwhelming distortions and  devastating beauty.  \nin grief or in hope marks a shift for BIG|BRAVE towards denser\, guitar-oriented compositions. With  longtime touring bassist Liam Andrews (MY DISCO\, Aicher) joining guitarist/vocalist Robin  Wattie and guitarist Mathieu Ball in the studio for the first time\, the pieces are keenly layered with  a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly  contrasted with delicate\, even tender\, moments. The trio’s instinctual progressions are made more  vivid through live recording\, harnessing the gargantuan and storied sound of their performances.  Within texturally maximalist loops and affected vocals\, the pieces utilize the aesthetics of drone\,  electronic\, and heavy music within a foundation of pop song form. Wattie writes: “I wanted to explore  catchy\, melodic phrasing weaved throughout the intensity of the instrumentation and drony chord  changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared  experiences of being a human person.”  \nThe tenth album for the ensemble\, in grief or in hope pays homage to their past while looking  into their future. Standout “the ineptitude for mutual discernment” expands on lyrical themes first  explored on 2015’s Au De La where “verdure” echoes melodies from the title track of 2014’s Feral  Verdure. These references to their past serve as potent reflection points on BIG|BRAVE’s evolution  as artists. A sonic whirlpool of string instruments surrounds Wattie’s commanding vocals as she shifts  from spectral undulations on pieces like “what may be the kindest way to leave” to the direct\, spare  declarations of the title track. The ambiguity of mountainous chords on “an uttering of antipathy” are  coupled with autotuned phrases emphasizing isolation inside the fray.  \nTogether the trio deliver emotional momentum that vividly describes the complex and deep feelings  of struggle\, pain\, and transcendence. in grief or in hope transmits that sense of humanity with every  gesture.
URL:https://www.nicensleazy.com/event/basement-gig-bigbrave
CATEGORIES:Basement,Gig
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